Transfixed is an experimental music/sound duo composed of Dr. Nora Wilson (She/Her), who: “is the Associate Professor of Low Brass at Brandon University. She has performed with several professional ensembles including the Winnipeg and Regina Symphony Orchestras, the Winnipeg Jazz Orchestra, and the Brandon Chamber Players,” and Koda Maxon (They/Them), who: “is a vibrant Canadian Vocalist, Artist and Composer, who completed their Bachelor's Degree in Music Performance (Voice) in 2022 and is now pursuing a Master's in Composition at Brandon University. They have studied composition in the past with Dr. Peter Meechan, Melody McKiver and Dr. Jason Young. Koda is a studio instructor for the Eckhardt-Gramatté Conservatory, teaching Voice for all ages and Music rudimentaries for kids.”
These descriptions come directly from their individual websites, and I advise you to go check them out after reading - as well as the Westman Empowerment Fund, an important local cause which Wilson and Maxon are supporting through this tour.
Transfixed as a project is aimed at creating a safe space to express strong emotions about identity and self-expression, through electronically and acoustically generated sonic environments. The goal is to create a space in which the listener can disengage with their own perspective and attempt to engage with a trans perspective. The experience situates your eyes, ears, mind, and soul. This production uses an unconventional approach to create environmental music, which I had the chance to discuss with Koda Maxon on Thursday, March 20th.
“The pieces just mesh, and exist together... There is a wide variety of genres which is something I’ve always personally wanted to do,” said Koda, when I asked them about how they intend to transition between the pieces. The inclusion of a sound box, a light system which reacts to sound, and the atmosphere of the northern lights at the Art Gallery of Southwestern Manitoba combined to create this unique display of colours. The marrying between the lights and the music was quite creative, as both performers included elements of drag shows in this performance. One of the songs is even named “Strut”.
There were 6 songs performed at this event and as previously mentioned, they were all kind of connected and intertwined. This made it kind of awkward for the audience to applaud or take a break, which I was told is part integral part of the sonic environment both Koda and Nora were trying to create.
“Thanks for watching” was an onslaught. It contained many news clips from prominent massacres and school shootings, from early 2010 all the way up till the present. This composition presented the idea of being discussed, simulating an environment of how it would feel to be a trans person living through the constant news discussions of your identity and existence. Specifically, how the conversation continues to become more and more derogatory as certain political rhetoric gets more attention. On this piece, Koda says: “It’s particularly disturbing - we could rewrite ‘Thanks for watching’ every day. It paralyzes our community, separates us from loved ones".
After “Thanks for watching,” “Banshee” immediately followed. The audience was presented with wailing from a trombone, guttural screaming, and what quite literally looked like an induced panic attack on stage. Surprisingly, “Banshee” almost felt tame after listening to “Thanks for watching,” probably due to the amount of obscene language the newscasters were using. This piece made the sound box light up more than all the rest, which was entertaining to watch. Both of these songs were done in completely red lighting, which made it feel even more uncomfortable and almost painful, like blood was being drawn. “Banshee” was particularly primal, which I believe highlighted the performer's emotions to an extreme level. It felt like a cry for help, the cry of a bleeding community.
We then go into a “Signed with a heart,” which feels more like spoken-word poetry performed over relaxing melodies. Koda reads a letter they wrote to themself in 2015 and Nora responds, providing a glimpse into trans mentorship and their struggles. It shows the insecurities that hide in the open and in the closet, unwavering, and displays an embrace to a label despite pushback and discrimination. The central theme was the complicated role of mentor - the desire to share and bestow knowledge upon the younger generation, in need of freedom of expression and confidence in themselves, while also calling out the people that mourn the “old you”.
On the topic of change and personal growth, Koda had this to say: “Truth is, we are the same person. Yet others assign so much value to your name, your clothing, and your education. It poses a vulnerable question: What makes you the same person now as compared to when you were a teenager?” It’s hard to believe, but try and remember all your crazy childhood dreams. All those are still a part of you now, or just a distant memory. Was that you who wanted these things, or were you just repeating what you heard in your environment? But now you are all grown-up, you’ve been through many full lifespans of human cells. Similar to the thought experiment “Ship of Theseus,” in which, over time, all the original planks of a ship are replaced. At which point does the ship stop being referred to by its name and by a new name. Due to the lack of parts from the original construction, is it still the same ship?
The final song I will discuss is “Our home communi-T" which features voice clips from local two-spirit and trans community members from here in Brandon. In this composition, trans and two-spirit people in the community were asked the question, “what is trans joy?” They each sent back individual sound clips responding to the prompt. This piece featured many folks from the audience on the 22nd, which created an amazing feeling of the community creating this song together right on the spot. Please go to the show for yourself to hear “Dear body” and “Strut” - their next performance is on March 28th, 2025 at Knox United Church.
It was an honour to work with Koda Maxon and the Art Gallery of Southern Manitoba to cover this show. Transfixed will be returning to Brandon later this month, and the University of Saskatchewan and University of Lethbridge are also on the tour list, so prairies, be ready! There will be opportunities to buy merchandise and posters, and support the Westman Empowerment Fund through the purchase of “Programazines” during the show.